I then decided to try shifting the harmonized tones down an octave instead of specific harmonies. With the fantastic Synchro Arts pitch-shifting algorithms, the harmonies sound natural, full, and lush. The added formant shifting adds even more interest to the harmonized sections. So, I've taken an already good-sounding double-tracked vocal and harmonized specific words or phrases so that the second vocal moves back and forth between straight doubling and harmonizing. So, I asked myself, forget about aligning pitch and time between multiple tracks, why not take all of these features and use them on already aligned vocals for creative effect? The ability to protect multiple ranges within the audio file from processing, combined with transposition and formant shifting, means I can transpose and formant shift only selected words or phrases within the larger vocal. Another of Vocalign Ultra's great features is formant shifting, which can offset the formants of processed audio to change the timbre and color of the audio subtly. Small offsets are essential for the sort of realistic double-tracking Vocalign Ultra is used on. Another fantastic feature is the ability to transpose, in cents, +/- 12 semitones.
It is often useful to exclude certain specific areas from processing to achieve the best result. One of VocAlign Ultra's great features is the ability to isolate or protect specific ranges within the audio file from alignment. But as with other well-designed tools, creative applications come about using the tool in possibly unintended ways. In this case, aligning multiple vocals effectively and easily. Like all tools, it began its life essentially as a problem-solving device. It really is magic when working with stacked vocals. When you combine this with SmartAlign, the VocAlign Project 5 workflow becomes incredibly fast and intuitive.VocAlign Ultra, from Synchro Arts, is an incredible tool for aligning either or both time and pitch across multiple vocal tracks. But If you use Project 5 with an ARA2 compatible DAW like Logic Pro, Studio One, Cubase Pro, or Reaper, you can align large vocal stacks containing several layers at the click of mouse. VocAlign Project 3 can only align one dub track at a time.
Install vocalign pro tools manual#
This is a huge timesaver as there's no more need for any manual pre-editing, let SmartAlign do all the hard work for you. Now included in all Synchro Arts’ products, their new technology SmartAlign uses the presence of audio in your Dub track, instead of the Guide, to decide when and alignment should start and end. If super-tight isn’t sounding right, then just loosen the setting in VocAlign Ultra and more of the original double will be retained for a more natural and transparent result. With VocAlign Project 5 Synchro Arts has introduced a new tightness control so you decide how much alignment you want to apply to your vocals.
2 - New Tightness Controlīefore VocAlign Project 5, previous versions of VocAlign Project always tried to align your signals as tightly as possible with no exceptions, all or nothing. This should reduce the need for any kind of manual editing, saving you even more time in the studio. This means you can align longer and more complex vocal sections in VocAlign Project 5 with more speed and accuracy than before.
VocAlign Project 3 is powered by legacy technology whereas VocAlign Project 5 boasts the very latest alignment algorithms from Synchro Arts’ award-winning flagship software, Revoice Pro. In their latest blog post here’s what Synchro Arts say about the new release: 1- Better Alignment Algorithm It sees five improvements to its feature set that version 3 users might be very interested in. Synchro Arts’ VocAlign Project 5 is the latest release of the company’s venerable audio alignment plugin. Many styles demand perfection, but even those rooted in a more organic aesthetic can benefit from some help. Tight overdubs are of course preferable but the vibe of the session is unlikely to survive a forensic concentration on phrasing and the performance might well suffer if the singer is thinking about phrasing more than singing.Įveryone loves those sessions where everything just falls into place, but even then it can only be at the mixing stage where the need for fixing phrasing becomes more apparent. Recording WellĪs soon as a song needs harmonies, a double track, or both, there is potential for vocal phrasing to go adrift which can be especially noticeable on consonants when track counts get high. We show you how the new features in Synchro Arts’ VocAlign Project 5 could be a way to get that time back. Aligning ragged vocal phrasing in your DAW takes up time away that you could have spent mixing.
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